Phantom LUTs. Fs7/5 & Alpha Series Fx-9/A7siii (coming soon) Bmpcc4k (coming soon) Arri Alexa(coming soon). 3D LUTs or Look Up Tables are nothing more than a table of numbers that apply a color transform to an image.What makes cinematic LUTs unique however is their ability to apply complex color grades that can imitate the look of major motion picture films. What is a LUT? A Look-Up Table (LUT) is a file with.CUBE or.3DL extension, containing math instructions to replace a color (based on RGB value) by another one. It's like a color grading preset. This process is done pixel by pixel with a very high accuracy. These LUTs are compatible with images shots from all cameras.
He created those custom LUTs because quite a few users had problems downloading the official LUT by Sony. Since that offical LUT has been designed especially for the 15-stop Venice camera it wasn’t the best for all the other 14-stop cameras such the Sony FS-7, FS-5, F5, F55 or the a7 range, anyways. THIS LUT IS MADE FOR FOOTAGE SHOT IN S-LOG2. IT HELPS YOUR COLORS BE BEAUTIFUL. If you like this, you'll love Renegade 2, our S-LOG 2 LUT Pack that lets you add pro color grades to your footage with one click! BEAUTIFUL SONY FOOTAGE RENEGADE 2 IS A COLLECTION OF LUTS MADE FOR S-LOG 2 Add cinematic color grades to yo.
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Sony Slog2 To Rec709 Lut
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Free Sony Slog2 Luts
Applying LUTs in DaVinci Resolve
You can apply a LUT for color work in DaVinci Resolve 12.5 as follows.
First, download S-Log2 LUTs from the Sony website and save them in the LUT folder, because DaVinci Resolve 12.5 only includes S-Log3 LUTs.
First, download S-Log2 LUTs from the Sony website and save them in the LUT folder, because DaVinci Resolve 12.5 only includes S-Log3 LUTs.
Download 3D LUTs for DaVinci Resolve
- S-Gamut/S-Log2
- S-Gamut 3.Cine/S-Log3
Procedure
Start DaVinci Resolve 12.5 and make sure the Project Manager screen is displayed.
Click [New Project] and open a new project with a name of your choice.
When the [Media] page is displayed, import your material.
In the volumes listed in the upper left, select a folder with material to import. Clip thumbnails are shown once the material has been imported.
Drag clips to the [Media Pool] area.
If the frame rate of a clip you drop does not match the project frame rate, a frame rate conversion window is displayed. Click [Change] to adjust the frame rate of imported material to match your project.
Open the [Edit] page.
In the toolbar, select [File] > [New Timeline]. A window opens. For your new timeline, decide details such as [Start Timecode] and [Timeline Name].
Clear the selected [Empty Timeline] check box, and then click [Create]. All clips in the [Media Pool] area are arranged on the timeline.
Open the [Color] page.
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Right-click one of the clip thumbnails in the middle of the screen and choose a LUT from [3D LUT].
You can also add your regular LUTs to the [3D LUT] menu.
Click the [Project Settings] icon in the lower right. In the window that opens, click [Open LUT Folder] in [Color Management]. Save the LUTs you will use in this LUT folder.
Here, use the S-Log2 LUTs you downloaded initially. Click [Update Lists]. You can now select the LUTs from [3D LUT].
In actual editing, you may need to adjust the contrast before applying a LUT. In this case, go ahead and adjust the contrast before applying the LUT. With the LUT applied and your clip shown in colors for a Rec. 709 screen, you can now color grade it as you imagined it.